FILM REVIEW: 22 Jump Street
I
had serious doubts about this film from the second I sat down to watch it. From
the outset it’s clear that this film is going to follow the same line that the
first film did with very little variation, but stick with it because directors
Lord and Miller will show you how good sequels can be.
Following
their ‘success’ in the 21 Jump Street program, Schmidt and Jenko are back with
a new assignment – they’re going to college. Their job is to find the supplier
of a new drug, WHYPHY (pronounced ‘wifi’), which is spreading quickly across
campus and has caused the death of a student already. The plot line is pretty
much exactly the same as its precursor, 21
Jump Street, except the explosions are bigger and the jokes are funnier.
Neither
Jenko nor Schmidt have matured in the slightest since their first assignment,
which allows Channing Tatum and Noah Hill to be as silly as they like. Tatum
shows off his character’s fearless and foolish attitude, scaling walls, jumping
off buildings, getting shot (yes, again),
whilst Hill reminds us what it’s like to be desperately unfit and uncoordinated.
All things considered, Schmidt and Jenko shouldn’t really be friends and yet
they have what is possibly the most beautiful bromance that Hollywood has ever
offered us. This pair works so well together with their characters’
personalities each bringing something different to the table, but it’s when the
two are combined that the real magic happens. The slight twist in this film is
that Jenko and Schmidt’s relationship starts to wane under the pressure of the
social hierarchy at college, which just makes it all the more obvious that this
pair should never be apart.
It’s
not just Tatum and Hill providing comedy gold, but the impressive supporting
cast as well. We see much more of Ice Cube than in the previous film and
there’s one particularly memorable scene involving green beans and a very, very
angry Ice Cube. I can’t say more without revealing this film’s best moment so
you’ll have to see it yourself to find out more. If that doesn’t tempt you then
Jillian Bell’s rendition of a vicious Barbie doll sure as hell should.
There
are numerous ‘in-jokes’ throughout the film which gives the impression that
script writer Michael Bachall is having his fun with us. These references are subtly blended into this
film in such a way that you’re not sure whether it really is Bachall talking
directly to us, but it is. This film doesn’t take itself very seriously, but it
sticks to know what it’s best at and repeats. The jokes are not forced in the
slightest and this film simply oozes effortless comedy value. The jokes are
somewhat repetitive, but miraculously, this doesn’t grate on you, they just get
funnier every time. There were a few occasions where I couldn’t help but
massively cringe at the script but these moments were rare and infrequent.
For
those of you who are fans of the first film but are afraid of 22 Jump Street ruining your fond
memories of Schmidt and Jenko, give this film a shot – you wont regret it. Remodelling
the exact same story is difficult, but rest assured that Lord and Miller have
outdone themselves once again - this isn’t anything like the disappointment that
was The Hangover Part II (and Part III for that matter).
Make
sure you stay until the very end of the film where there’s a series of mock
scenarios for future films, up until around 41 Jump Street – the perfect end to
this smashing action-comedy.